Lil wayne lights out cd11/20/2023 ![]() Inspired by the innocent cover shots of New York classics Illmatic, by Nas, and Ready to Die, by Notorious B.I.G., Wayne handpicked the baby photo used for Tha Carter III himself. Related: All 12 Kendrick Lamar Album and Mixtape Covers, Ranked In the eye of this storm stands a saggy pant-wearing, shirtless MC prodigy hailing, in his words, “From the home of that ’caine, jackin’, and crackin’ brains.” As Weezy’s Stars and Stripes boxers will attest, he’s ready to make American rap great again. ![]() “I don’t think she's going to be upset, but I know personally that she don't really like that picture of herself ’cause she’s not looking in the camera." We like it just fine.ĭropped hot at the height of Pen & Pixel’s blinged-out, late-’90s reign of Dirty South cover graphics, Lil Wayne’s solo debut features five angry cop cars, two ghetto birds, and streets afire. "I'm sorry, Moms! I didn't tell her about the picture that I was using for the album cover," Lil Wayne told SportsCenter. Mama Carter unwittingly steps in front of the camera for the cover of the fifth installment of Wayne’s most personal series, while the tatted-up boy imagery continues. Related: All 10 Tyler, the Creator Album and Mixtape Covers, Ranked Don’t say you didn’t learn anything from this silly listicle. In the design business, they call this an ambigram. Flip the album cover upside-down, however, and you’ll quickly realize the funeral lettering smartly spells out lil wayne. And that’s me.”Īt first glance, the Funeral record jacket appears straightforward and underwhelming. At a time it’s ugly, and at a time it’s beautiful too. “He chose the moth-butterfly thing because it has so many different stages of life, and it goes through so many forms and changes, and no one can figure it out, and it’s always beautiful. “(Kanye) said, ‘You know, man, let me do your cover.’ I saw the cover and I approved it,” Wayne explained to. Designed by Kanye West’s DONDA think tank, it’s a moth photographed on a black background through a red filter. Nor is it a mockup for a lower-back tatt an undergrad brought into a Fort Lauderdale ink shop on spring break. No, this is not a rejected movie poster for The Butterfly Effect. How you convince a toddler to sit still under the tattoo artist’s needle for that many face sessions is beyond me, though. He’s got the green gown, bowtie, and classic picture day backdrop to prove it. Here is the adorable young man, passing kindergarten with flying colors. Cole Album and Mixtape Covers, Rankedīaby Tunechi, last seen on Tha Carter III, grows up fast. The black hoodie, cocked neck, steely glare, and iced-down medallion all scream, "I wish you would." A return to the flames motif that burned through Tha Block Is Hot reinforces that the MC was fire well before saying the word fire was fire. The third installment of the youngest Hot Boy’s Pen & Pixel trilogy goes hard. So, we get a government surname, an upshot portrait that makes the diminutive rhymer appear as tall as the skyscrapers he navigates, and a cursive title font. And he needs cover imagery to reflect his maturation into adulthood. Related: All 11 Eminem Solo Album Covers, Rankedīreaking away from his cartoonish artwork of his combustible youth, Wayne is 21 now. ![]() After his painfully drawn-out dispute with Cash Money Records and numerous record delays, one must assume the Young Money founder started the fire so he’d have something to chuck his old contracts into. In other words, Wayne sparked it up and put it out. Now, with the fancy neck scarves and singalongs, the block looks cozy.Ī return to the fiery artwork of his early releases, Free Weezy Album sets the letters FWA aflame. But what are the chances Lil Wayne knows how to rip a solo with the guitar on his lap, or that he spends his hours chilling on a shabby-chic loveseat? The block used to be hot. We’re all for creative exploration and risk-taking. Suddenly, in a creative move no one predicted or particularly wanted, Dread Zeppelin is out here bringing rap-rock back like he’s Anthrax and Public Enemy circa 1991. Related: All 15 Drake Album and Mixtape Covers, Ranked I want to rush and get to the skatepark and squeeze in a few ollies before the sun sets. Then just slap a distressed font overtop. Not bad meaning good, but bad meaning bad. And a wonky kung-fu font for some unexplained reason. That’s actually four Weezys overlayed ghoul-like on top of each other you’re seeing. The sophomore slump of cover art, Lights Out catches the Pen & Pixel Photoshoppers asleep at the mouse wheel.
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